HARRY MORGAN

Harry Morgan (b. 1990, Manchester, UK) is a British artist renowned for his innovative fusion of materials and experimental reinterpretation of traditional techniques. After earning a First-Class BA (Hons) in Glass from Edinburgh College of Art in 2014, he established his practice in Edinburgh, where he continues to live and work. Morgan's work is distinguished by the juxtaposition of seemingly disparate materials, notably glass and concrete. By reimagining ancient crafts such as Venetian glassblowing alongside modern concrete casting, he challenges the inherent physical and cultural perceptions associated with these substances. This approach emphasizes the interaction of opposites—transparent versus opaque, mass versus void, robust versus fragile—creating a dynamic tension within his sculptures.

His acclaimed piece, "Dichotomy" (2018), exemplifies this methodology. The sculpture features a cuboid form with an upper section of cast concrete and a lower half encased in meticulously hand-pulled glass threads. This work explores the balance between fragility and strength, a recurring theme in Morgan's oeuvre. "Dichotomy" is part of the Victoria and Albert Museum's permanent collection in London, underscoring the significance of his contributions to contemporary art. Morgan's artistry has been recognized with several accolades, including the Award for Emerging Talent at the 2015 British Glass Biennale. In 2019, he was a finalist for the prestigious Loewe Craft Prize, with his work exhibited at Isamu Noguchi's indoor garden 'Heaven' in Tokyo. His creations have been showcased in numerous exhibitions across the UK and internationally, including venues in the Czech Republic, Spain, Sweden, Denmark, Dubai, and the USA. Notably, his work has been featured in exhibitions at Hauser & Wirth, a gallery renowned for its dedication to contemporary craft. Morgan's pieces are held in esteemed collections, reflecting his growing influence in the art world. Beyond the Victoria and Albert Museum, his work is included in the European Museum of Modern Glass in Coburg, Germany. Through his practice, Harry Morgan continues to push the boundaries of materiality and form, offering a contemporary perspective on traditional craft techniques and contributing significantly to the discourse of modern sculpture.